Facultatea de Litere / Faculty of Letters

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    LIRISMUL CONTEMPLATIV AL PROZEI LUI LUCIAN BLAGA. HRONICUL ȘI CÂNTECUL VÂRSTELOR, LUNTREA LUI CARON
    (CEP USM, 2024-10-25) Gabura, Carolina
    The contemplative lyricism in Lucian Blaga's prose derives from the emotional-psychological structure of the narrator who shows a predilection for contemplation, which opens his access to existential miracles and allows him visions beyond the phenomenal world in its secret manifestations. Blaga's narrators, constituting bookish alter-egos of L. Blaga, through which he fictionalizes his empirical identity, have the vocation of doubling, perceiving reality through different optics: of the child and the adult, of the „chronicler” and the poet. Hence the alternation of different regimes that individualize the homodiegetic narrative model explored by the author.
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    DE LA SUBJECTIVITE DANS LE LANGAGE. QUELQUES MISES DIDACTIQUES
    (Editura USM, 2024) Gradu, Diana
    The origin of subjectivity, unique to humans, is explained through the concepts of physical and mental subjectivity. The relationship between the subject and subjectivity encompasses various dimensions, such as consciousness, intentionality, and mental causality, revealing the complex interplay between individual identity and freedom. The development of subjectivity is traced from philosophical and religious perspectives, highlighting its foundational role in modern thought and its distinction from objectivity, ultimately transforming the understanding of human self-perception and autonomy. Current linguistic theories increasingly consider subjectivity in their frameworks, though the connections among these theories are often ambiguous. Rather than tracing the history of a linguistic concept, this work examines the evolution of the term “subjectivity,” noting its rise in prominence over the past fifty years.
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    IMAGINEA ORAȘULUI CAHUL ÎN LITERATURĂ (IACOB NEGRUZZI, ANDREI CIURUNGA, LEONID NUZBROH ȘI ALȚII)
    (Academia de Ştiinţe a Moldovei, 2022-09-27) Iovu, Elisaveta
    The city has become a favorite theme for research from the perspective of literary imagology. It is generally attributed a set of characteristics traditionally associated with the country it belongs to. The city is often presented as a concentrated microcosm of its nation. Looking at the city of Cahul, we can highlight a series of imagotypical texts that highlight both a positive and a less positive image of this “city on Frumoasa”. In this context, travel diaries, sketches, poems, letters, etc. are included. Although it was a newer city than the others, Cahul enjoyed special attention right from its foundation. The territory served as an interest for visiting and discovery, delegates, deputies, sol- diers came here. The positive images about Cahul as “Ioan Vodă’s city”, “my town”, “the capital of my childhood/ youth”, with acacia in bloom, “quiet city”, a city where one reads perhaps more than in other parts and many others essentially contribute to the romanian and general cultural heritage.
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    METAFORELE CONCEPTUALE COMPUSE ÎN DISCURSUL IDENTITAR GERMAN DE DUPĂ 1989
    (Pontos, 2019) Prisecari, Valentina
    După anul 1989 identitatea germană a cunoscut o schimbare din toate punctele de vedere prin metamorfoze, păstrând în același timp drama abolirii barierei de separare între Berlinul Occidental și Republica Democrată Germană timp de aproape 28 de ani. Modificările care au survenit după evenimentul de cotitură în plan social, politic, economic, ca mod de viață, de gândire, sunt reflectate în discursurile prezidențiale (Richard von Weizsäcker (RW), Roman Herzog (RH), Johannes Rau (JR), Horst Köhler (HK), Christian Wulff (CW), Joachim Gauck(JG), discursurile respective fiind o formă de ideologie identitară care au marcat cursul istoric al țării date. Doctrinele politice și filosofia acestora au afectat profund evoluția gândirii și culturii naționale, având un impact puternic asupra dezvoltării ei. Prezentul articol se focusează pe identificarea metaforelor conceptuale în discursul identitar prezidențial (în număr total de 16), care formează identitatea metaforică. Identitatea fiind modul de manifestare al unui popor (comunități omenești), modul de a gândi, de a exista, este și cultura acestuia (cultura – comportament uman direcționat valoric). Vom cerceta modul de funcționare a identității lingvistice prin intermediul metaforelor conceptuale.
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    LE POUVOIR DE LA LANGUE DES PHILOSOPHES - ENTRE LIBERTÉ ET ENGAGEMENT POLITIQUE
    (CEP USM, 2023) Guţu, Ana
    This article highlights the isotopies-philosophemes which constitute the ideal sphere of the concerns of philosophers/intellectuals. The author examines the antinomy of committed philosopher-free-thinking philosopher as a structural axis in the construction of social mentalities. The driving idea of the article is the primordiality of the heritage of spiritual values over the materiality and transience of trivial things. The author laments the poverty of spirit in countries where there has been almost no philosophical tradition and, moreover, the Soviet regime has swept away all identity consciousness.
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    MARGINALITATE ŞI IDENTITATE ÎN POEZIA BASARABEANĂ POSTCOMUNISTĂ
    (CEP USM, 2021) Dicusar, Cristina
    In our article we will explore the subject of identity and marginality present in postcommunist Bessarabian poetry. We selected several contemporary authors with different approaches and used the synchronic and the analysis research methods.
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    STRATEGII DE TRADUCERE ȘI DE MEDIERE CULTURALĂ ÎN ROMANUL ACVARIUL DE VICTOR SUVOROV
    (CEP USM, 2017) Druță, Inga; Șaganean, Gabriela
    Cazul particular al traducerii, care joacă un rol din ce în ce mai important în comunicarea interculturală, trebuie analizat ca mijloc de accesare a procesului de relativizare a realităţii de dincolo de reprezentare, ca activitate conştientă de mediere culturală.În lucrare vor fi analizate strategiile de traducere și mediere culturală aplicate în cazul romanului Acvariul de Victor Suvorov, implicând rezolvarea problemelor de lexic, registru, stil, identitate culturală