Facultatea de Litere / Faculty of Letters

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    Натурализм в литературе рубежа 19-20 веков: к проблеме типологии явления [Articol]
    (CEP USM, 2025) Спорыш, Наталья
    The article is devoted to the study of the methodology of such a complex aesthetic, literary and cultural phenomenon as naturalism. The article examines the similarities and differences between the aesthetic principles and ideological foundations of classical realism and naturalism, characterizes various trends within the literature of naturalism, and clarifies its genre preferences. The article also examines national variants of literary naturalism and provides a typological description of this complex aesthetic and ideological phenomenon that influenced the development of literature throughout the 20th century and was reflected in the aesthetics of postmodernism.
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    Le français québécois dans le domaine dictionnairique franco-canadien [Articol]
    (CEP USM, 2025) Piraro, Sergio
    The French spoken in Quebec is different from all other French in the world. Every word, every expression is a precious legacy from our ancestors. Why is Quebec French different from that of France? One must know the history of Quebec to understand how this language was shaped. Brought in the 16th and 17th centuries by immigrants from various regions of France, the French spoken in Canada consisted of local patois and dialects that were, at the time, well-rooted in the European metropolis. Once here, they often found themselves with a neighbour who spoke a different patois, hence the need for a common language. In what follows, I will attempt to highlight and describe, using a synchronic and diachronic classification, the most salient lexical examples that characterize the Quebec variety. To better examine certain words, I have looked at a few vocabularies. Studying some Quebec words in dictionary works helped us to better understand the Quebec variety.
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    W. GOYEN’S “BRIDGE OF MUSIC, RIVER OF SAND” – AN ECOLOGICAL PERSPECTIVE
    (CEP USM, 2016-03-12) Ţeplic, Tatiana
    Noţiunea de ecologie culturală implică faptul că mediul natural contribuie în mod fundamental la organizarea socială, instituţiile umane şi chiar la gândirea umană şi conştiinţa de sine. Ecologia se ocupă de mediul înconjurător, nu numai ca un set de fenomene ale lumii fizice, care este interpretarea tradiţională al termenului, dar şi de circumstanţele în care o persoană, sau o comunitate, locuieşte sau îşi desfăşoară activitatea. Articolul subliniază abordarea nouă a lui W. Goyen faţă de interpretarea spaţiului literar. Nuvela “Bridge of Music, River of Sand" de W. Goyen este un exemplu convingător de realizarea conceptelor de ecologie culturală.