The contemplative lyricism in Lucian Blaga's prose derives from the emotional-psychological structure of the narrator who shows a predilection for contemplation, which opens his access to existential miracles and allows him visions beyond the phenomenal world in its secret manifestations. Blaga's narrators, constituting bookish alter-egos of L. Blaga, through which he fictionalizes his empirical identity, have the vocation of doubling, perceiving reality through different optics: of the child and the adult, of the „chronicler” and the poet. Hence the alternation of different regimes that individualize the homodiegetic narrative model explored by the author.
