2. Articole
Permanent URI for this collectionhttps://msuir.usm.md/handle/123456789/50
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Item DELIMITAREA POLISEMIEI DE OMONIMIE LA SUBSTANTIVELE DERIVATE METONIMICE(CEP USM, 2007) Porumb, TatianaThe article represents an approach to the problems of polysemy and lexical homonymy delimitation and as regards the semantic derivates appeared on the basis of metonymy.Item COMPUSE CU VALOARE AFECTIVĂ ÎN LIMBA ITALIANĂ LITERARĂ(CEP USM, 2007) Cazacu, LidiaAn attempt to highlight the advantages of word composition technique in the Italian literary language is made. Very often writers and poets, while looking for stylistic effects use certain linguistic instruments, one of these being the word formation procedure. We see this approach at different stages in the works of a number of Italian writers distinguished by an original style (Chiabrera, Gadda, Zanzotto, Beni, etc.). One explanation is the need of a stylistic diversity against boring imitations of the standard style. The concise form of the compound word has the power of description and the capacity to highlight certain characteristics, which otherwise would be very difficult, or even impossible, to render. The numerous examples found in the fiction literature demonstrate the unlimited capacity of the language to permanently create new words.Item NOTE PRIVIND COMPUSELE SINTAGMATICE ÎN LIMBA ITALIANĂ(CEP USM, 2007) Cazacu, LidiaAn attempt is made to characterize a certain type of compound words with a sintagmatic structure similar to nominal syntactic groups. This is the N N, N A şi N di N formation, created in line with a model alien to the Roman languages (usually more relevant to the English or German languages). Nevertheless this model is very often met in the modern Italian language being somehow requested by the linguistic economy phenomenon. The purpose here is to observe the way these structures behave in the modern Italian language, to look at the morpho-syntactic and semantic peculiarities that place them in the category of compounds as well as their role in the dynamics of the contemporary Italian lexis. This is mostly met in new creations produced during the last decades both in the specialized and social literature. Very often this is the outcome of authors” creations in different works both local or influenced by foreign opera. Characteristic for these formations is the fact that they contain very expressive compounds able to transfer the semantic meaning. The latter, having certain metaphoric value, constitute the focus of the present article.