Facultatea de Litere / Faculty of Letters

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Subject: search.filters.subject.hypertext

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    E POETICS OF HYPERFICTION IN STORYSPACE
    (2020) Gotca, Rodica
    This article will describe and interpret the poetics of interactive fiction made within the hypertext system created by J.D. Bolter and M. Joyce - Storyspace, based on spatial metaphor - "topographic metaphor" / "writing space". As an alternative to the code format found in books, hypertextual literature, supported by MEMEX (V. Bush) and Xanadu (T. Nelson) projects, has developed substantially, defining itself as a continuation of the modern "tradition" of experimental literature in print, freeing both the author and the reader from the restrictions of the printed medium and favoring new experiments in literary structure. Storyspace is used for writing novels, articles, reports, creating university courses. In this article, three hyperfiction products will be analyzed in more detail, the hypertextual novels: “Afternoon. A story ”M. Joyce; Patchwork Girl S. Jackson; "Victory Garden" S. Moulthrop, presenting their structure and hypertextual specificity.
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    «АЛЛЮЗИВНЫЙ ФОН РОМАНА М.А. БУЛГАКОВА «МАСТЕР И МАРГАРИТА»
    (Editura USM, 2023) Sporîș, Natalia
    Allusion, known to literature since Antiquity, in the artistic practice of modernism and postmodernism has become one of the most important techniques and even methods of constructing textual space, a means of creating deep semantic, ideological and philosophical subtexts. The article analyzes a complex system of allusions that builds the artistic architectonics of M. A. Bulgakov’s novel “The Master and Margarita”.
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    «СТРУКТУРА ПРОСТРАНСТВА В ПРОЗЕ М. ПАВИЧА»
    (Print-Caro, 2021) Sporîs, Natalia
    The problem of space and, more broadly, the chronotope in the literature of postmodernism is one of the most interesting, significant and unexplored aspects of composition, poetics and philosophy of a literary text. In the prose of the Serbian poet and prose writer, the author of one of the most daring experiments of postmodern literature - the novel of hypertext the cult "Khazar Dictionary", the organization of the artistic space has a key conceptual meaning that determines and simulates the semantic field of the work.
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    POEZIA DIGITALĂ: GENURI ŞI SUBGENURI
    (CEP USM, 2021) Baciu, Doina
    The article describes some forms of digital poetry, dividing them into genres and subgenres. These are constantly emerging due to the development of Information and Communication Technologies, social networks, great opportunities and free internet access. The priority of digital literature considerably increases the potential of inventiveness towards the use of different information technologies, and the text is developed through new strategies and ways to expose the innovative, comfortable, pleasant, useful and accessible thoughts to any internet user. Poetry acquires new forms, meanings, reactions that arouse interest in reading, watching, listening, imaginary palpation. Forms of digital poetry transform words and letters into objects that can be manipulated through the effects produced by technology. The text initially appears as a form of knowledge, then, it is organized in new art forms: visual, plastic, decorative, applied. As a result, we can currently talk about such forms of digital poetry as video poetry, audiopoetry, hypercard, google-poetry, instapoetry, Facebook status poems, diagram poem, poster x poem, hypermedia poetry.
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    APLICAȚIILE GOOGLE – ELEMENTE ALE E-POEZIEI
    (2021) Baciu, Doina
    The study proposes the analysis of Google applications as elements of e-poetry to re- cord the restructuring of contemporary literary modalities. Google-poetry produces valuable meanings, revealing the results of the symbiosis of literature with Information Communication Technologies. It also facilitates the process of quickly creating information, synchronous use of Google pages and various applications that can be installed on your computer, tablet or phone. As the internet, in turn, uses literature, it is created through the digital tool. Thus, it becomes fast, accessible, convenient. Google-poetry is characterized by the grandiose volume of information that exceeds human potential, creating hypertextual relationships between poetry and various compartments.
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    FENOMENUL DIGITAL: LITERATURA ÎNTRE CRIZĂ ŞI CONCEPTUALIZARE
    (2021) Gotca, Rodica
    Inovația în domeniul literaturii a făcut să se simtă necesitatea de înnoire a instrumenta- rului din domeniul criticii şi teoriei literare. Dificultatea a apărut deja la etapa de definire a noului concept de literatură, a cărei depăşire ar putea constitui un teren potrivit pentru teoretizarea fenomenului literar digital. În acest articol ne propunem prezentarea unei serii de definiții ale conceptului tradițional de literatură emise de teoreticieni precum R. Wellek, A. Warrenn, T. Eagleton, J. Culler, A. Marino,Gh. Crăciun, cu scopul de a accede la definirea conceptului contemporan de literatură digitală, prezen- tat de E. Aarseth, I. Berszán, Ph. Bootz, R. şi C. Ghiță, L. Malomfălean, M. Ursa şi A. Vuillemin. Definițiile tradiționale creează fundalul pe care se va înfăptui teoretizarea literaturii digitale, a textului ergodic manifestat în spațiul literar în ultimele decenii. Perspectiva istorică abordată facilitează stabilirea unui traseu de evoluție a conceptului de literatură şi definirea adecvată a noilor forme literare. În baza definițiilor tradiționale, se conturează una a literaturii digitale, cybernetice care introduce tipuri noi de texte: hypertextul, intertextul, cubertextul şi textul ergodic- ca un termen integrator pentru acestea. În epoca digitalismului literatura nu demisionează, iar criza se arată a fi un pretext în manifestarea noii literaturi.