Facultatea de Litere / Faculty of Letters

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    LIMBAJUL POEZIEI AL LUI CEZAR BALTAG
    (Tipografia Academiei de Ştiinţe a Moldovei, 2022-09-27) Albu, Nadejda
    In this article we analyze Cezar Baltag’s poetry from the perspective of literary language. We state with certainty that the poet’s language is an ambiguous one, which proposes different possibilities of interpretation, focusing especially on certain literary symbols, such as: the mirror, the threshold, the door, etc. Cezar Baltag, in his poems, creates a link between heaven and earth: mythology, folklore, sensuality, occultism, religion, poetry. The poet builds through deconstructivism, using poetry to interpret and elucidate existence. His poems become a verbal organization corresponding to a spiritual content. His poetry does not present a finality, but a wandering for answers, a search for true identity, a continuous becoming. He recycles the elements of traditionalism through the postmodernist technique of collage and enriches the poetic language with new connotations and emotions.
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    LIMBAJUL ARTISTIC ÎN POEZIA LUI LEONID DIMOV
    (Academia de Ştiinţe a Moldovei, 2022-09-27) Ciumașu, Eugenia
    The article resides in the elucidation of the stylistic effects created by the eccentric vocabulary that Leonid Dimov uses in his poems. The analysis of the poems will be directed towards the mannered language; the valences of the sometimes archaic, sometimes neological, often invented lexicon will be explained. At the same time, the structure of the imaginary will be taken into account: the meaning of some symbols, a fact that will lead to a better knowledge of the poet’s creation in order to capitalize on contemporary literature. The research methods will be compiled starting from the tools appropriate to the analysis of language and the structure of the imaginary. The perspectives of mythological-archetypal, semiotic and other interpretation, imposed by the literature science of the last century, are most welcome. The actuality of the given approach is revealed by the need to valorize the local heritage of national and international importance. Leonid Dimov’s poetry has not been sufficiently exploited by historians and literary aestheticians from the Republic of Moldova, despite the fact that the poet originates from the historical south of Bessarabia.
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    VALORIFICAREA EXPRESIV-ESTETICĂ A ORALITĂȚII ÎN CREAȚIA LUI ION CREANGĂ
    (2018) Molea, Viorica
    A return to classical artistic texts seemed tempting, for the perspectives of approaching some seemingly outdated themes often reveal interesting and novel aspects. The orality in Ion Creangă`s prose has been revealed and revised in excess, especially through the very detailed inventory of the instrumentshe uses. However, we consider that a classical writer is inexhaustible in terms of stylistically-aesthetic valences, which, with every interpretation, are multiplied and re-evaluated. This is what we tried to highlight in our study.