Facultatea de Litere / Faculty of Letters

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    Trăirile personajelor și evoluția subiectului din perspectiva fenomenelor naturii în romanul realist francez din secolul al XIX-lea [Articol]
    (CEP USM, 2025) Gheorghiță, Ana
    Nature is present everywhere in the French realist writers works, contributing, through the skillful exploitation of the symbolic potential encoded in colors, shades, tones and halftones, to subject line development, to messages formulation, to affective states induction, etc. At the same time, nature descriptions are often constituted, in the plastic arts best traditions, in small landscapes and pictorial compositions. The purposes in which authors refer to nature phenomena are diverse, but necessarily closely related to the narrative context. In some cases, nature is beside the character throughout his whole life, its colors symbolizing his evolution over time, his constantly changing moods.
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    ASPECTE ALE RECEPTĂRII OPEREI LUI JAMES JOYCE ÎN ROMÂNIA
    (CEP USM, 2024) Filimon, Veaceslav
    Studiul urmărește evoluția receptării operei lui James Joyce în România interbelică prin racordarea discursului critic românesc la cel preponderent francofon, abordând aspectele textuale, culturale și literare. Sunt prezentate opiniile critice ale scriitorilor și cercetătorilor prin elucidarea inexactităților frecvente dar și a unor exegeze originale care au condiționat încercările inițiale de a înțelege și explica momentele-cheie ale operei joyceene.
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    PREMIUL LITERAR CHINEZ MAO DUN ȘI PROTAGONISTUL SĂU
    (Print-Caro, 2021) Ciocoi, Tatiana
    The communication is dedicated to the Chinese writer Mao Dun (18961981), whose name bears, since 1981, the most important literary award in China. The study focuses on elucidating the concept of "modern literature" and the cultural movement directed against the traditional elite and its Confucian values, which have inspired a generation of young intellectuals captivated by the idea of national rebirth and social modernization by adopting Western political, scientific and cultural models. A particular analytical attention is paid to the novel "Midnight" (1933) and the writer's radical obsession with his own kind of realism.