Facultatea de Litere / Faculty of Letters

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Start date: 2022End date: 2022

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    LA TERMINOLOGIE DU DOMAINE DE L’ARCHITECTURE DANS LE ROMAN DE VICTOR HUGO NOTRE-DAME DE PARIS ET DANS SA TRADUCTION EN ROUMAIN
    (2022) Zbanţ, Ludmila
    Dans le présent article, nous nous sommes proposé l’examen des effets pragmatiques créés dans l’original et leur transfert dans la traduction en roumain du roman de Victor Hugo Notre-Dame de Paris, notamment à travers une couche informative importante exprimée par la terminologie du domaine de l’architecture. La présence des éléments liés à l’architecture de la ville de Paris et plus directement à la cathédrale Notre-Dame est remarquable dans le roman et comporte de nombreuses charges informatives, pragmatiques, c’est-à-dire établissent un lien direct avec le lecteur. Nous considérons que cette construction permet à l’auteur de s’adresser à un public au-delà de l’époque historique évoquée dans le roman, allant directement vers le public de son époque en créant un message qui a le but d’éveiller chez ce public des sentiments patriotiques et pour cela Victor Hugo fait passer l’imaginaire du lecteur de l’espace de la ville de Paris et de la cathédrale Notre-Dame à l’époque du Moyen Âge vers la réalité de son temps et inversement. La structure pluri-textuelle (le texte dans le texte) qui permet l’utilisation dans un texte littéraire des espaces sémiotiques variés et les effets pragmasémantiques existant dans l’original se retrouvent presque parfaitement dans les traductions analysées ce qui est dû probablement à une distance culturelle partant des sources communes et donc facile à dépasser. This article examines the pragmatic effects created in the original and their conveyance in the Romanian translation of the novel Notre-Dame de Paris by Victor Hugo, in particular, via an important informative layer expressed by the architecture terminology. The occurrence of these elements in connection with the city of Paris, and directly with the Notre-Dame Cathedral is fascinating in the novel and includes multiple informative, pragmatic facts that directly relate to the reader. We believe that such a construction allows the author to address a public who is beyond the historical epoch invoked in the novel by directly targeting the public of his epoch through a message created to arouse patriotic feelings in this very public. Therefore, Victor Hugo shifts the reader’s imaginary from the space of the city of Paris and the Notre-Dame Cathedral during the Middle Ages towards the reality of his times and back again. The pluri-textual ensemble (a text inside a text) that allows the employment of different semiotic spaces and pragmatic and semantic effects in the original literary text perfectly fit into the analysed translations, most probably due to a cultural distance ensuing from common sources and subsequently, easy to overcome.
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    EMINESCOLOGIA ȘI EXTREMUL ORIENT ÎN DIALOGURILE LUI MIHAI CIMPOI
    (ProLibra, 2022) Stajila, Emilia
    The literary critic Mihai Cimpoi lets the curtain fall and presents us with some dialogues with the representatives of China and Japan. Reading these scholarly discussions, we can dive among the Alpha and Omega of Mihai Eminescu’s works subtleties, we also manage to pick from the precious seeds of universality and crystallize interculturality – the basis of precious axiology. Academician Mihai Cimpoi’s dialogues with the representatives of China and Japan profile the attitude of society in the Far East towards the values identified in Romanian literature, towards our Light (which the Chinese consider to be theirs). These discussions develop the props of universal literary criticism and offer a new grid for presenting interculturality, a spectrum of ideas woven in a friendly atmosphere, a constructive dialogue between personalities of phenomenal erudition.
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    PROIECȚIA COGNITIVĂ A NEOLOGISMELOR INTERNAȚIONALE ÎN CONTEXTUL EVOLUȚIILOR ACTUALE
    (ProLibra, 2022) Molea, Viorica
    The new circumstances of society’s development entails the acquisition of new words and expressions that reflect these realities. It is a only natural that all the changes occuring in the world have an echo in the language, in general. And, since these changes can be downright overwhelming, they are all reflected in the lexicon and in communication. At the same time, we should mention that some linguistic areas have a greater impact on new lexical acquisitions than others. But, whatever the trends in this regard, there is a progressive growth of international neological elements, and, through them, a standardization of perceptions, of thinking in the immense space of human civilization. We note that the investigation of trends related to the ever closer interpenetration of languages through the use of an international neological lexicon constitutes an ongoing objective in linguistic research.
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    PHRASEME – THE SOFT POWER OF DIPLOMATIC LANGUAGE
    (ProLibra, 2022) Tărîță, Stella
    Când luăm în considerare diplomația – arta de a convinge – procesul de promovare a intereselor și valorilor naționale, aplicarea de soft power în diplomația publică necesită abilități lingvistice, în special „producerea” și „consumul” lingvistic de frazeme. Considerată mult timp o disciplină auxiliară și într-o anumită măsură o parte a terminologiei, frazeologia se află în prezent în centrul atenției printre domeniile de cercetare. Obiectul nostru de studiu este limbajul diplomatic, care se face remarcabil printr-o gamă vastă de unități frazeologice: colocații, restricții semantice, expresii idiomatice, clișee etc. În acest articol vom pătrunde în universul frazemelor din limbajul diplomatic și relațiile conceptuale ale entităților specializate; vom oferi o imagine de ansamblu asupra înserării termenilor în discurs și a frazemelor de specialitate.
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    CRONOTOPUL LITERAR AL ORAȘULUI CHIȘINĂU ÎN OPERA SCRIITORILOR CONTEMPORANI ROMÂNI
    (ProLibra, 2022) Cotorcea, Silvia
    Science explains that there are no simple concepts, each having relative and absolute character. The present study presents the correlation between time and space in relation to the literary world of Chisinau. Thus, the city of Chisinau in artistic texts, over the years, is seen from several perspectives, depending on the emotional, aesthetic, axiological or historical dimension that the author wants to polish in the work. In this sense, the symbolic richness of Chisinau’s chronotopic structures, reproduced in the works of contemporary Romanian writers, requires an interdisciplinary approach, in order to elucidate the constraint of literary analysis horizons.
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    IMAGINEA INSTITUȚIEI REGALE A ROMÂNIEI ÎN CULTURA POPULARĂ A BASARABENILOR
    (CEP USM, 2022) Grati, Aliona
    In this article we have tried too show, starting from a corpus of literary texts, what meant, how he was perceived, imagined and especially how King Mihai was told in stories, implicitly royalty, by the Bessarabians after a period of a few decades of interdictions on the subject. More exactly, we set out to follow the representation of King Mihai in the literature which was produced by the ones that nowadays live in the geographical range which was once the Bessarabia province of the Romanian Kingdom. We are using the notion of "literature" in its larger sense, including the entire variation from the popular culture creations (the folk texts which appeared in the age of King Mihai, recited even today by the seniors, the evocations of the eyewitnesses), to the cultured literature written recently (memos, journals, novels). We have accompanied the commentaries of the texts with descriptions of the historic context which caused those creations.
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    ARHETIPUL MATERN ÎN POEZIA LUI GRIGORE VIERU
    (2022) Serdeşniuc, Cristian
    Grigore Vieru created a poem about children and childhood, and in the middle of it arranged a mother’s image. Marked with the irrepressible wish to his mother, even being an adult, he was looking avidly for returning to the lost paradise of childhood. By intermedium of the poems for children about the mother and the entire environment, Vie- ru helped the little reader to discover the sense of the Universe. The living beings guided the children through harmony and continual rejoice. The poet was looking for discovering some primary needs of an infantile being, identifying them with the child itself. The theme about the mother after Vieru consists of worship of traditions, the religion of sincerity, and the personal myth.
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    CONOTAȚIILE METAFOREI CONCEPTUALE DIN DOMENIUL NATURII ÎN DISCURSUL POLITIC
    (2022) Pleșca, Ana
    The conceptual metaphor theorized by G. Lakoff and M. Johnson focuses on the „concepts” of everyday life. The world around us, the beings and things in the universe, offer many possibilities for metaphorization. The proper use of conceptual metaphor in political discourse presupposes an organic interweaving of the speaker’s ingenuity and imagination. In this article we will analyze the metaphors from the field of Natural Source. We will comment on metaphors focused on some primordial elements of nature (water, fire), plant metaphors (botanical) and zoomorphic ones. After examining the metaphorical structures from the field of nature, I came to the conclusion that they are very productive and that they help to fulfill the main functions of the current political discourse: conciseness, expressiveness and persuasion.
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    ORAŞUL CAHUL ÎN CREAȚIA LUI ANDREI CIURUNGA
    (2022) Iovu-Macari, Elisaveta
    Rezumat. Privind imagologia oraşului Cahul, deosebit de relevantă ni se arată opera literară a lui Andrei Ciurunga, o personalitate redutabilă în contextul epocii sale. Distingem în creația lui imagini reprezentative atât pentru tema oraşului în general, cât şi a Cahulului în particular. Oraşul Cahul este leagănul celor mai frumoase şi dulci amintiri, oraş patriarhal, orăşelul legat de memoria domnitorului Ioan Vodă cel Cumplit, bietul nostru Cahul, oraşul copilăriei şi tinereții, oraş basara- bean, oraş liniştit, oraş de piatră, unde plâng salcâmii, cu parcul său, cu vulturul miraculos, cu un cinematograf în centru, cu restaurantul răcoros al lui Golțman, cu împrejurări frumoase, cu cofetăria lui Galan, cu viile surorilor Vasiliev, cu fabrica lui de ciorapi, cu vreme frumoasă de primăvară, cu oameni buni la inimă, harnici şi fericiți, cu fete foarte frumoase, unde te simți într-adevăr acasă. Toate acestea adună o bogată şi veritabilă colecție de imagini productive şi reproductive, care completează imagologia moldoveanului român din partea de sud a Republicii Moldova, contribuind la patrimoniul imagologic general.