A return to classical artistic texts seemed tempting, for
the perspectives of approaching some seemingly outdated themes often reveal interesting and novel aspects.
The orality in Ion Creangă`s prose has been revealed
and revised in excess, especially through the very detailed inventory of the instrumentshe uses. However, we
consider that a classical writer is inexhaustible in terms
of stylistically-aesthetic valences, which, with every
interpretation, are multiplied and re-evaluated. This is
what we tried to highlight in our study.
