Facultatea de Litere / Faculty of Letters

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Author: search.filters.author.Zbanț, LudmilaSubject: search.filters.subject.literary translation

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    QUELQUES STRATÉGIES DE TRADUCTION EN ROUMAIN DES RÉALITÉS DE LA SOCIÉTÉ FRANÇAISE CONTEMPORAINE (À PARTIR DU ROMAN SÉROTONINE DE MICHEL HOUELLEBECQ)
    (2023) Zbanț, Ludmila; MANOLI, Ion
    La traduction littéraire connaît à l’heure actuelle des influences visibles dues aux nouvelles réalités qui se créent dans l’espace des relations interhumaines. Si traditionnellement, on mettait l’accent sur le caractère national d’un texte littéraire dépendant de la réalité socioculturelle de son origine, ce qui influençait en effet les compétences requises pour le bon exercice d’un traducteur littéraire, à présent, le choix du cadre conceptuel et respectivement des stratégies de traduction sont fortement influencés par les changements des contenus et des formes des œuvres littéraires et de leur reflet par le biais des courants littéraires enregistrés au niveau global. Les corpus littéraires nous offrent des contenus qui reprennent la perspective transculturelle issue du mouvement de la globalisation dans tous les domaines et celui des belles lettres n’en est pas une exception. Cette constatation pousse vers une réévaluation des principes et des techniques de traduction à appliquer pour ce type de texte et, en premier lieu, nous comprenons que le traducteur doit posséder des connaissances spécifiques, qui vont au-delà des deux langues et deux cultures, parties de la traduction. Dans ces circonstances, la localisation du texte sera conjuguée aux poly-systèmes, c’est-à-dire, l’étude des phénomènes littéraires ainsi que de leurs traductions requiert une perspective internationale, voire mondiale. Le roman Sérotonine de Michel Houellebecq est un modèle de ce type et notre étude visera une approche actualisée des stratégies de traduction à partir des compétences d’un traducteur et de son rapport avec les destinataires de son travail. Literary translation is currently undergoing visible influences due to the new realities that are being created in the area of interhuman relations. If traditionally the emphasis was on the national character of a literary text depending on the socio-cultural reality of its origin, which in fact influenced the skills required for the proper exercise of a literary translator, then nowadays the choice of the conceptual framework and of the translation strategies respectively is strongly influenced by the changes in the contents and forms of the literary works and their reflection through international literary movements. The literary corpus offers us content that reflects the transcultural perspective of globalisation in all fields including literature. This observation leads to a re- evaluation of the principles and techniques of translation to be applied to this type of text and, first of all, we understand that the translator must have specific knowledge that goes beyond the two languages and two cultures that are part of the translation. In these circumstances, the localisation of the text will be combined with polysystems, which means that the study of literary phenomena as well as their translation requires an international, even global perspective. Michel Houellebecq’s novel Serotonin is a model of this type, and our study aims at an updated approach of translation strategies based on the translator’s skills and his/ her relationship with the recipients of his/ her work.
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    EMILIAN GALAICU-PĂUN – POET, WRITER, ESSAYIST, AND ROMANIAN LANGUAGE TRANSLATOR
    (CEP USM, 2017) Zbanț, Ludmila
    Our presentation deals with the analysis of Emilian Galaicu-Păun’s approach to the translation of two novels written by Michel Pastoureau “Blue: The History of a Colour”, translated in 2006 and “Black: The History of a Colour”, translated in 2012, both versions published by the “Cartier” Publishing House, where the author of the translations has been editor-in-chief for many years. Our aim is to compare the two translations of the novels that revolve round one similar nucleus: a symbolic experience of the history of Europe performed by the same author, in order to observe how Galaicu-Păun, the translator, perceives the original works from a temporal and spatial distance, as well as his inspiration that helps, Galaicu-Păun, the poet and writer, interpret them for the Romanian reader.
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    RAPORTURI SEMANTICO-PRAGMATICE ÎN TRADUCEREA LITERARĂ DIN LIMBA FRANCEZĂ ÎN ROMÂNĂ
    (CEP USM, 2015) Zbanț, Ludmila
    În articol examinăm, în special, viziunile academicianului Nicolae Corlăteanu ce ţin de funcţionarea limbii în dimensiune istorică şi socială. Aspectele respective au o repercusiune directă asupra unor probleme de traducere literară, analizate în diverse studii traductologice contemporane.