Facultatea de Litere / Faculty of Letters

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    POEZIA DIGITALĂ: GENURI ŞI SUBGENURI
    (CEP USM, 2021) Baciu, Doina
    The article describes some forms of digital poetry, dividing them into genres and subgenres. These are constantly emerging due to the development of Information and Communication Technologies, social networks, great opportunities and free internet access. The priority of digital literature considerably increases the potential of inventiveness towards the use of different information technologies, and the text is developed through new strategies and ways to expose the innovative, comfortable, pleasant, useful and accessible thoughts to any internet user. Poetry acquires new forms, meanings, reactions that arouse interest in reading, watching, listening, imaginary palpation. Forms of digital poetry transform words and letters into objects that can be manipulated through the effects produced by technology. The text initially appears as a form of knowledge, then, it is organized in new art forms: visual, plastic, decorative, applied. As a result, we can currently talk about such forms of digital poetry as video poetry, audiopoetry, hypercard, google-poetry, instapoetry, Facebook status poems, diagram poem, poster x poem, hypermedia poetry.
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    APLICAȚIILE GOOGLE – ELEMENTE ALE E-POEZIEI
    (2021) Baciu, Doina
    The study proposes the analysis of Google applications as elements of e-poetry to re- cord the restructuring of contemporary literary modalities. Google-poetry produces valuable meanings, revealing the results of the symbiosis of literature with Information Communication Technologies. It also facilitates the process of quickly creating information, synchronous use of Google pages and various applications that can be installed on your computer, tablet or phone. As the internet, in turn, uses literature, it is created through the digital tool. Thus, it becomes fast, accessible, convenient. Google-poetry is characterized by the grandiose volume of information that exceeds human potential, creating hypertextual relationships between poetry and various compartments.