Portrete de tătari din Balcicul interbelic în pictura lui N. Tonitza și I. Iser [Articol]

dc.contributor.authorNuredin, Ibram
dc.date.accessioned2024-03-21T10:00:21Z
dc.date.available2024-03-21T10:00:21Z
dc.date.issued2023
dc.description.abstractThe communication refers to the portraits of Tatars from the plastic creations of the masters Nicolae Tonitza (1886-1940) and Iosif Iser (1881-1958), painters who brought to Romanian plastic art a modern vision, a universal openness, a compositional maturity supported by chromatic harmonies.Through multiple techniques – oil on canvas, gouache on cardboard, watercolour, drawing, charcoal or ink –Nicolae Tonitza and Iosif Iser reproduced the typologies of ethnic Tatars, captured in decorative backgrounds, in marine fragments or classical Dobrudjan architecture of interwar Balchik – houses, streets, gates, cafés, windows. The expressive, unique figures of Tatars are, most of the time, created with an economy of artistic means, in images full of compassion, love, brotherhood and humanism.en
dc.identifier.citationNUREDIN, Ibram. Portrete de tătari din Balcicul interbelic în pictura lui N. Tonitza și I. Iser. In: Latinitate, Romanitate, Românitate: conferința științifică internațională, 2-4 noiembrie 2023. Chișinău: Lexon-Prim, 2023, pp. 244-256. ISBN 978-9975-172-36-3. Disponibil: https://doi.org/10.59295/lrr2023.15.en
dc.identifier.isbn978-9975-172-36-3
dc.identifier.urihttps://doi.org/10.59295/lrr2023.15
dc.identifier.urihttps://msuir.usm.md/handle/123456789/14330
dc.language.isoroen
dc.publisherLexon-Primen
dc.titlePortrete de tătari din Balcicul interbelic în pictura lui N. Tonitza și I. Iser [Articol]en
dc.title.alternativePortraits of the Balchik tartars from the paintings of Nicolae Tonitza and Iosif Iseren
dc.typeArticleen

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