Facultatea de Istorie şi Filosofie / Faculty of History and Philosophy

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    BIOGRAFIA UNEI PERSONALITAȚI MARCANTE – AFANASIE V. REPIDA
    (Tipografia "Lexon-Prim", 2020) Eremia, Ion
    The biography of Professor Afanasie Repida is in many ways similar to the biography of many who made up the Soviet intellectuals: primary, secondary, higher education, the hierarchical advancement of the Soviet system. Afanasie Repida had the misfortune to participate in the largest and cruellest world conflagration of the twentieth century, the Second World War, but also the luck to escape with his life. Endowed with true peasant wisdom, he faced the calls of the times in which he lived and worked, showed an example of modesty and humanity towards his colleagues and subordinates, constantly sought to avoid and settle situations of conflict. Professor Afanasie Repida’s scientific legacy bears the stamp of the times in which he wrote, the horizons of his creative search being limited by the regime in which he lived and dictated by the party that created that regime. It must be viewed and appreciated with great care and caution, because, it seems, Professor Afanasie Repida’s inner feelings were different from those he laid out on paper. Perhaps for this reason, those who knew the teacher well, carry in their hearts with great care the warm memory of the one who was Afanasie V. Repida.
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    VIAȚA STUDENȚEASCA LA INSTITUTUL DE STAT DE MEDICINA DIN CHIȘINAU (1945-1991)
    (Tipografia "Lexon-Prim", 2020) Xenofontov, Ion Valer; Prisac, Lidia
    The scientific interest of this presentation related the history of the student’s everyday life in period of their studying at the State Institute of Medicine in Chisinau from 1945 to 1991. In the first post-war years, future doctors had to combine the study process with other time-specific actions: at cleaning public places; as health instructors at the fight against infectious diseases, the fight against hunger etc. The students’ clothing was poor, some wearing military. Other students had to work unloading coal, wood, machinery for factories and plants. Graduates of the 1975-1980s, compared to previous promotions, analyzed the specifics their everyday life more critically, through general culture. With the economic crisis of the second half of the 1980s, some of the institution’s graduates, crushed by the daily routine, being forced to retire outside the republic.
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    PROCESUL DE ADMITERE LA INSTITUTUL DE STAT DE MEDICINA DIN CHIȘINAU. (1945 - SFÂRȘITUL ANILOR ’60)
    (Tipografia "Lexon-Prim", 2020) Prisac, Lidia; Xenofontov, Ion Valer
    The presentation will highlight the subject of the admission process to the State Institute of Medicine in Chisinau in the period of 1945–1960. In the first years of the Medicine Institute activity, the number of the native students was the lowest, compared to other higher education institutions from Moldavian SSR. Being after the Second World War, many of the students enjoyed various privileges. They were persons who were admit gracefully performances. There were also substantial age gaps between students. The biographical data of the enrolled students were thoroughly analyze. The process of admission to Medicine Institute was a competitive one, by respecting several criteria and rigors
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    CAZUL OPEREI „MAREA PRIETENIE” DE VANO MURADELI ȘI ECOUL EI ÎN ÎNVĂȚĂMÂNTUL SUPERIOR DIN RSS MOLDOVENEASCĂ
    (Tipografia "Lexon-Prim", 2020) Șclearuc, Sorin
    The article aims to elucidate a case of resonance, which served as a turning point in the world of Soviet music. The opera The Great Friendship by Vano Muradeli serves as a landmark in terms of studying the methods of state involvement and communist ideology in the activities of people of culture. With its condemnation and the issuance of the CC of C(b)PSU Decree from February 10, 1948, communist rhetoric is increasingly rooted in a new tool, a new lever to remove uncomfortable people by the communist system, namely the accusation of formalism. Being part of the Soviet Union, the Moldavian SSR also fell under the new rules, which, as presented by specialized works and archive files, the local communist nomenclature soon took over and assimilated. The State Conservatory in Chisinau were also involved in these processes. In this way, local artists were limited and forced to create cultural products in strict accordance with the requirements of communist ideology.