Browsing by Author "Condraticova, Liliana"

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ACTUL UNIRII BASARABIEI CU ROMÂNIA DE LA 1918 ȘI PATRIMONIUL CULTURAL: IMPACT, EVOLUȚIE, PERSPECTIVE
(2023) Ischimji, Ana; Condraticova, Liliana; Bujorean, Tatiana; Cercașin, Marina; Tocarciuc, Alina; Pintilei, Elena
Unirea Basarabiei cu România, în 1918, a avut și un impact deosebit asupra educației, învățământului, economiei, mentalității, dezvoltării artelor vizuale și audiovizuale și, desigur, asupra patrimoniului țării. Actualmente, subiectul patrimoniului cultural al Republicii Moldova este frecvent abordat de istorici, antropologi, specialiști în domeniul studiului artelor. În articolul de față ne-am propus drept obiectiv să realizăm o retrospectivă a itinerarului parcurs de patrimoniul cultural al Basarabiei în acești 105 ani. Am urmărit procesele evolutive la care a fost supus acest patrimoniu de-a lungul anilor (în perioada interbelică, în anii celui de-al doilea război mondial, în perioada sovietică și în cei 32 de ani de independență a Republicii Moldova), am determinat ponderea tezaurului deținut în 1918, specificând ce valori am pierdut, ce patrimoniu a fost sustras, distrus mai ales în perioada sovietică și ce avem de restabilit, de reconstruit pentru posteritate. Întrucât ideea de patrimoniu cultural este foarte complexă, în demersul nostru am prezentat o sinteză a evoluției acestuia, aducând și pe această cale un omagiu Generației Unirii pentru realizarea României Mari. Marele act al Unirii Basarabiei cu România, făurit la Chișinău, în 27 martie 1918, a rămas ca un act de curaj. Nouă ne revine să păstrăm vie memoria celor care au contribuit la o adevărată lecție de istorie a anului 1918 și să ne unim eforturile pentru salvgardarea, valorificarea și promovarea patrimoniului nostru cultural, pe care să-l prețuim pentru a fi transmis celor care ne vor continua mesajul și activitatea.
ANDREI NEGURĂ ȘI TRANSPUNEREA EMOȚIILOR ÎN CULOARE
(2022) Condraticova, Liliana
The present approach represents the vision of a historian on the evolution and development of decorative art in Moldova through the lens of the creation of Andrei Negură, an artist who asserted himself equally in painting and tapestry. He made a sensation at the beginning of his activity in the 1980s with the tapestries he exhibited, shaping a new attitude of society, driving his interest in this genre of decorative arts. His creation, deeply rooted in the aesthetics of traditional weaving, offers outstanding samples of modern art, products of original plastic and technological experiments. Thanks to him, for the first time tapestry began to be studied at the level of a higher education institution, he founded the Department of Textile Arts at the Academy of Music, Theater and Fine Arts, the “Tapestry” specialty. His last personal exhibition, Revelations in Color, at the “Constantin Brâncusi” Exhibition Center in Chisinau, presents him in the fullness of his talent as an author of parietal tapestry, three-dimensional tapestry, easel and applicative graphics, oil painting and tempera painting. Through his complex creation, A. Negură made a significant contribution to the valorization of the national cultural heritage.
CREAȚIA MEȘTERULUI DE ARTĂ DECORATIVĂ MIHAIL CEBAN (1909–1994): ÎNCĂ UN NUME SALVAT DE UITARE
(Academia de Ştiinţe a Moldovei, 2022-09-27) Condraticova, Liliana
n this article we have proposed to examine the creation of decorative art craftsmen and to review the work of craftsmen who used wood in their work to make ornaments. In the first post-war decades, ornaments were mainly made of ceramics, cherry wood, mulberry, birch, apricot, from which artisans made pendants, bracelets, necklaces, clasps. Through the exhibition catalogs, we have documented several artisans who, within these time limits, opted for the creation of ornaments from accessible raw materials. The decorative art craftsman Mihail Ceban (1909–1994), distinguished himself by making various wooden ornaments, as well as as a designer of wooden furniture.
DILEMELE EDUCAȚIEI ÎN REPUBLICA MOLDOVA
(2021) Condraticova, Liliana
The proclamation of independence of the Republic of Moldova on August 27, 1991, impelled the revision of the educational system in the country, inherited from the Soviet period,which was valid in the Republic of Moldova until 1995. In the three decades of independence, the educational system in the Republic of Moldova went through several reforms, which aimed at modernizing and democratizing education, creating the conditions for capitalizing on the potential of every child, regardless of the financial situation of the family, the place of residence, ethnicity, language or religious choices of parents. For the Republic of Moldova, education is a national priority and the basic factor in the transmission and creation of new cultural and human values, in the development of human capital, in the formation of national consciousness and identity and has a key role in creating the premises for sustainable human development and building a knowledge-based society. The quality of education largely determines the quality of life and creates opportunities for the fulfillment of every citizen.
ISTORIA CA VOCAȚIE ȘI DESTIN DOCTORUL HABILITAT ÎN ISTORIE, PROFESORUL UNIVERSITAR PAVEL COCÂRLĂ LA 75 DE ANI
(Academia de Ştiinţe a Moldovei, 2021) Arapu, Valentin; Condraticova, Liliana
METALUL CA PISTĂ DE LANSARE A ARTIȘTILOR PLASTICI LUDMILA ODAINIC ȘI LIDIA CEBAN-BOICO
(2022) Condraticova, Liliana
Exhibition catalogs insert over time valuable information about artists and their creations that, being confronted with the data from the personal files of the plastic artists kept in the archives, come to elucidate new aspects of the artistic phenomenon. From the documents found, we infer that in the first post-war decades, the most requested metal pieces in which local artists excelled were wafers and decorative reliefs. In this Article, based on the archive files investigated, we set out to highlight and introduce in the scientific circuit unknown pieces of two established artists –Ludmila Odinic and Lidia Ceban-Boico, who until fully manifested in applied decorative art, namely in tapestry and prints, they experimented in the technique of artistic metalworking, considered a prerogative of men.
PRELUCRAREA ARTISTICĂ A METALELOR DIN RSS MOLDOVENEASCĂ ȘI REPUBLICA MOLDOVA: NUME UITATE SAU MAI PUȚIN ȘTIUTE
(Academia de Ştiinţe a Moldovei, 2021) Condraticova, Liliana
The main purpose of our approach is to analyze the activity of craftsmen (artisans) in the field of artistic metal processing in the second half of the twentieth century – the beginning of the twenty-first century. The work of the artists includes various decorative boards representing village life, heroes of folk tales and agricultural work, emphasizing the impact of folk art on the subjects approached by decorative craftsmen. Jewelry, being a relatively apolitical field, is represented by necklaces with pendants, earrings, brooches, rings, all made of noble metals and fine, ornamental pebbles. Based on archival documents, exhibition catalogs and interviews with artists who used to make jewelry and various metal plates, was presented relevant information regarding the activity of craftsmen whose names were recently revealed (Alexei Marco, Gheorghe Cojusnean, Vladimir Calasnicov, Vladimir Vasilkov etc.). Also, in the scientific circuit were introduced new, forgotten or less known names: Vasili Sochin, Iuri Terehov, Natalia Vavilina and others. The evocation of their creation comes to complete the general picture of the evolution of decorative art, implicitly of the artistic processing of metals from the Moldovan SSR and the Republic of Moldova