Browsing by Author "Rău, Alexe"

Filter results by typing the first few letters
Now showing 1 - 2 of 2
  • Thumbnail Image
    Item
    ABORDĂRI PREFILOSOFICE REVELATOARE DE LOK ŞI ETNOS ALE SCRIERII LA DIFERITE POPOARE
    (CEP USM, 2007) Rău, Alexe; Viziru, Pavel
    Historinas make an attemps to date exactly the appearance of the written language. But not less important is the examination of the interval pulses, awakening and ideas of those led to the exteriorization of the consciousnesses through the written language. The authors carry out an instant analysis of people beliefs, view of ideas about reasons and conditions of the appearance, about essence and teleology of the written language as visible and invisible, consciousness and its presence in graphic signs and others. In the majority of the examined examples it is clearly seen that the written language always reflected the essence of the native lace and the ethnic constitution of the population (people), which created one or an other written language. The mythological outlook is combined at the ancient people with beginnings of the clean philosophy of the written language.
  • Thumbnail Image
    Item
    O VIZIUNE ASUPRA ONTOLOGIEI SCRIERII ÎN LUMINA CONCEPTELOR FILOSOFICE ALE LUI KANT ŞI BERGSON
    (CEP USM, 2007) Rău, Alexe
    The author ascertains that the mirror effect can be raised to the rang of ontological principle, because he goes through all levels and ontological ways, and simultaneously incorporates the cause and effect. The writing is, in one way or other, a result of the reflected effect expressed through the transmitting of the sacred codes (codes of species) from one generation to an other. Even the creation of the Universe is a result of this effect, and the ontology of the writing is closely bound by this. In the sacred period of the humanity, when the consciousnesses has not been awaken yet, the hand was the orphan of thought and creation. The stages of the remoteness of the sacred signified the progressive evolution of the consciousnesses and, implicitly, the forms of the writings. Kant and Bergson’s works, opposite by their conception, together constitute, however, the integral picture of the ontology of the writing.