Browsing by Author "Dumbrăveanu, Andrei"

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    ARHITECTURA PRODUSULUI FILMIC: ASCENSIUNE ȘI DECLIN
    (CEP USM, 2021-02-24) Dumbrăveanu, Andrei
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    ASPECTE ALE FORMĂRII UNOR NOI ELITE ÎN REPUBLICA MOLDOVA
    (CEP USM, 2013-09-26) Dumbrăveanu, Andrei
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    CĂLĂTORI LA HOTAR DE LUMINĂ
    (CEP USM, 2023) Dumbrăveanu, Andrei
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    JURNALISMUL CONVERGENT: OPORTUNITĂȚI ȘI PERSPECTIVE ÎN SPAȚIUL MEDIATIC DIN REPUBLICA MOLDOVA. Însemnări marginale la o teză de doctorat
    (CEP USM, 2022) Dumbrăveanu, Andrei
    În condițiile create de tehnologiile digitale de comunicare, convergența media în Republica Moldova pătrunde cu siguranță în instituțiile mediatice și le supune unor schimbări organizatorice, de structură, de management; influențează procesul de producere media, psihologia creației jurnalistice, prezentarea realității și perceperea ei de către publicul consumator. Noul fenomen pune stăpânire pe spațiul informațional conform unor legi ce se formează în mod obiectiv în urma reacțiilor ce se produc pe multiple planuri: novații tehnologice; interes politic și economic; stări culturale și implicații sociale. În RM convergența media are aceleași repere evolutive ca și în SUA și în UE. Mai întâi s-a produs convergența serviciilor, a structurilor economice cu răspundere limitată, care s-au format la începutul anilor ”90 ai mileniului trecut și prestau programe de televiziune prin cablu. Convergența serviciilor s-a dezvoltat grație rețelelor și terminalelor numerice și a căpătat dimensiuni economice și culturale. Evoluția mijloacelor tehnice de telecomunicație a stimulat convergența rețelelor care a condus la trecerea de la semnalul analog la cel numeric. Convergența sistemelor tehnice inginerești, confecționarea calculatoarelor electronice de mici dimensiuni, încorporate în aparate telefonice, dotate cu camere de luat vederi, a oferit oportunități mari pentru obținerea, prelucrarea și difuzarea informației, pentru comunicarea interactivă jurnalist–auditoriu. Toate împreună au provocat noi dimensiuni fenomenului convergenței media, care pornește din unirea posturilor de radio cu cele de televiziune. Operațiile unirii instituțiilor mediatice au fost efectuate în RM de oamenii politici și de cei de afaceri. Ele au produs efecte în lanț și, fiind catalizate de luptele pentru putere, s-au extins asupra sistemului media în întregime, a calității produselor jurnalistice, a relațiilor producători-consumători de informații.
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    Jurnalismul de mediu, de la social la ecologic
    (CEP USM, 2024) Dumbrăveanu, Andrei
    Environmental journalism is a media field that, for several decades, has been looking for followers in the professional guild, but also in the public space. Carrying out journalistic investigations on ecological topics requires extensive knowledge from several fields of natural sciences: biology, genetics, and ecology, but also from the fields of social and human sciences. Not every journalist in the digital age, where on-the-go documentation becomes a model, dares to link his/her activity to environmental investigations, which, in addition to requiring permanent field trips, require deep knowledge in a trans-disciplinary spectrum and permanent communication with experts from various fields of science. These considerations explain the small number of journalists practicing media investigations on ecological topics. In the guild hierarchy, they are in prestigious places, this ensuring the recognition and trust not only of the general public, but also of scientists. Environmental investigative journalism and sociological research share more than just the “investigation” term. In what follows we will see that the methods and procedures applied in sociological research can also be used in ecological media investigations.
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    LIMBAJUL TELEVIZAT—ÎMPRUMUTURI NERAMBURSABILE DIN CINEMATOGRAFIE
    (CEP USM, 2018) Dumbrăveanu, Andrei
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    REALITATEA POETICĂ ÎN DOCUMENTARELE SCRIITORULUI CINEAST ANATOL CODRU
    (CEP USM, 2016) Dumbrăveanu, Andrei
    In the second half of the ‘60s in the 20th century, the cinematography in soviet Moldova passes through an anthological metamorphosis. Gheorghe Vodă, Vlad Ioviţă, Emil Loteanu, Gheorghe Malarciuc, Aurel Busuioc, Anatol Codru, Iacob Burghiu, Andrei Strâmbeanu – are just a few young writers who became interested in the film industry. They chose to represent reality through poetic metaphor, being inspired by the deep vibrations of Romanian literature, by her immortal myths and legends that were kept in the archives of the collective memory and further perpetuated for generations. Anatol Codru is one of the few filmmakers who did not cross a line at the horizon, by creating an illusory welfare. He did not used lens’ focal distances to show a great monumental reality which was in fact a bragging of socialist achievements in an agrarian reply with big livestock, conveyer milking, automated feeding of cattle that were never taken out to pasture, with machines that does not need people for working the lands in an enormous harvest battle. Event thought it seemed almost impossible to not be drawn into the vortex of time’s turmoil, Anatol Codru has succeded in finding an honored place in the field of cultural documentary that proved to be a less exposed niche for the Bolshevik propaganda.
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    Satul, coloană de rezistență, în retrospectiva monografiilor sociologice
    (Editura USM, 2024) Dumbrăveanu, Andrei
    In general, in the Republic of Moldova, from one year to the next, 3-5 thousand fewer children are born than adult people die. Thus, every year, a village of medium or large proportions disappears irrevocably. This process is influenced by several factors. Sociological research proves that in the Republic of Moldova, after three decades of independence and sovereignty, there are no clear relationships between education, oc-cupation, income, property, way and lifestyle; society is divided and the population confused, divided on po-litical criteria. Economic and social inequalities are manifested geographically on a regional and local scale, in social units, either villages or cities: and in all areas – according to income, consumption, distribution of property, as well as according to available human and social capital. The phenomenon of large inequalities is a real threat to the social and general security of the Republic of Moldova. The society that escaped from the tutelage of the Soviet Union and felt the wind of freedom is trying to find the healing air of truth and justice. In search of the path to well-being, the collective consciousness turns to the past. In the sovereign and inde-pendent state of the Republic of Moldova, it is becoming a habit for scientists and culture to revive the memory of the interwar village, to reconstruct pictures of history and social history. In general, many authors of today's history and local social history works do not know the principles of rural space research elaborated by the Bucharest Sociological School, laid out for everyone to understand in the treatise "Guidelines for sociological monographs", published in 1940 under the patronage of D. Gusti, because they had no way to know them. Thus, in the Republic of Moldova, works dedicated to local history have appeared and continue to be pub-lished, which are interesting through the way they present the social reality and the elements of resistance of the localities in the face of the vicissitudes that have befallen them.
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    TELEVIZIUNEA DIN PERSPECTIVA TELEFONIEI MOBILE
    (CEP USM, 2021) Dumbrăveanu, Andrei
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    VALORIFICAREA CAPITALULUI UMAN ÎN INDUSTRIA MEDIA
    (CEP USM, 2024) Dumbrăveanu, Andrei
    Philosophers, aestheticians, historians, psychologists, and sociologists have analyzed the creative processes, developing theories and methods of knowledge and valorization of these processes, for human purposes. In the post-humanist era, they are overcome by the mass-, hybrid character of artificial intelligence-assisted creation, which permeates more and more vehemently into social life, forming new industries and markets. Thus, social and human development is embraced of phenomena that interact and produce turbulent effects which threaten the essence of the social environment - human being as a rational living being, a product of culture. Among the new industries of the digital age, media industry has an important place, as it ensures communication and generates beliefs necessary to promote consumption in the free market, and growth of economic capital. However, Economic Capital cannot exist outside of Human Capital, which appears and unfolds, in its turn, based on human resources. The latter represent the creative elements which form concepts, showcase willingness and actively implement conceptual ideas, influencing the effectiveness of the use of all resources: material, financial and informational. Through his/ her intellectual structure, through feelings, mentality, culture, motivation, desires and especially through self-awareness, the owner of human capital can prevent or, on the contrary, stimulate an action. Thus, intelligent growth, beneficial to sustainable social development, favors continuous professional training, which has become a strategic priority of the European Union. The resources of media industry are based on the human capital which forms knowledge and beliefs among the general public, but the media industry, in its turn, can also be a producer of human capital